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I was born after the war but it was a presence in my life through my parents. His camera doesn’t leer; it listens. His art gives space to the softness so often erased, and in doing so, validates a spectrum of queer expression.

As the “boys” series continues, it remains an evolving, evocative celebration of the male form—on queer terms.

Through his lens, Zak captures moments of raw emotion, stillness, and beauty, often featuring men in various states of undress—but always fully clothed in vulnerability.

Zak, who cut his teeth in fine art before pivoting into fashion, beauty, and still-life photography, brings that same artistic eye to his portraiture. It’s masculinity as lived, questioned, and quietly adored.

For the LGBTQ community, projects like Zak’s are more than aesthetic—they’re affirmational.

The boys in his series—fluid, fragile, sometimes fierce—speak volumes through subtle glances and soft limbs.

Published in titles like Vogue Italia, Tatler, and Gay Times, Zak’s work exists at the glittery intersection of queer sensuality and high art. A pretty erotic set of circumstances leading to a denouement that I should have seen coming - the religious are often twisted.

As his true ending is not known to history, this was necessarily an imagining of his final days.

In between? And an affirmation that it's not always the older guy who makes the running.

If it weren't for the two jewels, this would have got a two. The NSFW project is a moody, intimate, and sometimes stark exploration of masculinity that challenges the rigid norms of what a man is “supposed” to look like.

The first of these featured Hall singing his order at a McDonald's drive-thru window and generated considerable viewership; by 2012, he had graduated to full-blown musical tributes, including "Beauty and the Beat," which refashioned the Disney musical as an urban fantasy, and a promotional short for Virgin Airlines which detailed its pre-flight safety briefing as an R&B music video.

Hall toured with a live version of the show in 2016, shortly before taking over the role of cross-dressing powerhouse Lola in the Broadway run of the musical "Kinky Boots" that same year.